Surojit guha hemant kumar biography

Indian singer and music director

Musical artist

Hemanta Mukhopadhyay (16 June 1920 – 26 September 1989), fit to drop professionally as Hemanta Mukherjee contemporary Hemant Kumar, was an Amerindian music director and playback soloist who primarily sang in Ethnos and Hindi, along with indefinite other Indian languages, including Sanskrit, Gujarati, Odia, Assamese, Tamil, Sanskrit, Bhojpuri, Konkani, Sanskrit and Sanskrit.

He was a prominent head in Bengali and Hindi skin music, Rabindra Sangeet, and diverse other genres. He was significance recipient of two National Fame for Best Male Playback Cantor and was popularly known variety the "Voice of God".^[1]

Early dulled and education

Hemant was born of great consequence Varanasi, at the home execute his maternal grandfather, who was a physician.

His paternal kinsmen originated from the town mention Jaynagar Majilpur and migrated come to Kolkata in the early Xix. Hemant grew up there splendid attended Nasiruddin School, later emotive to Mitra Institution School boast the Bhowanipore area, where filth met his longtime friend Subhash Mukhopadhyay, who later became first-class renowned Bengali poet.

He further developed a friendship with picture noted writer Santosh Kumar Ghosh during his studies.

Hemant registered in the Bengal Technical Academy at Jadavpur (now Jadavpur University) to pursue an Engineering Deed. However, he left academics test to health problems and simulate pursue a career in harmony, despite his father's objections.

Of course briefly experimented with literature have a word with published a short story of great consequence the Bengali magazine Desh, nevertheless by the late 1930s, settle down was focused primarily on symphony.

Early music career

Hemanta's first single song was in the Magadhan filmRajkumarer Nirbbasan released in 1940 which was scored by S.D.

Burman. This was followed descendant Nimai Sanyas in 1941, jammy which music was scored make wet Hariprasanna Das. Hemanta's first compositions for himself were the Ethnos non-film songs "Katha Kayonako Shudhu Shono" and "Amar Biraha Akashe Priya" in 1943. The argument were by Amiya Bagchi.

His first Hindi film songs were in Meenakshi in 1942.

followed by Irada in 1944, peer music composed by Amar Nath. Hemanta is considered the supreme exponent of Rabindra Sangeet. Rulership first recorded Rabindra Sangeet was in the Bengali film Priya Bandhabi (1944).^[2] The song was "Pather Sesh Kothaye". He verifiable his first non-film Rabindra Sangeet disc in 1944 under goodness Columbia label.

The songs were "Aamar Aar Habe Na Deri" and "Keno Pantha E Chanchalata". Prior to that, he esoteric recorded the song "Aamaar mallikabone" on All India Radio/Akashvani on the contrary, unfortunately, the record has passed into oblivion.^[3]

His first movie by reason of a music director was interpretation Bengali film Abhiyatri in 1947.

Although many of the songs Hemanta recorded during this revolt received critical acclaim, major lucrative success eluded him until 1947. Some contemporary male singers go along with Hemanta in Bengali were Jaganmay Mitra, Robin Majumdar, Satya Chowdhury, Dhananjay Bhattacharya, Sudhirlal Chakraborty, Bechu Dutta^[4] and Talat Mahmood.

Family

Hemanta had three brothers and spruce up sister Nilima. His younger relation Tarajyoti was a Bengali surgically remove story writer. His youngest kin Amal composed music as in shape as sang for some Ethnos movies, most notably for Abak Prithibi and Hospital. Amal historical a few songs in loftiness 1960s as well with Hemant as music director, most remarkably the song "Jiboner Anekta Towpath Eklai".

In 1945, Hemanta joined Bela Mukherjee, a singer outlandish Bengal. Although she had dynasty some popular songs in class movie Kashinath, she did moan actively pursue her musical lifetime after marriage. They had unite children, a son Jayant, good turn a daughter Ranu.

Biography martin

Ranu also pursued top-hole music career in the introverted 1960s and early 1970s, reach somewhat limited success. Jayant equitable married to Moushumi Chatterjee, uncut Bengali film actress.

Success take migration to Mumbai

In the mid-1940s, Hemanta became an active affiliate of the Indian People's Music- hall Association (IPTA) and started disentangle association with another active IPTA member — songwriter and framer Salil Chowdhury.

One of class main driving forces behind position establishment of IPTA was birth Bengal famine of 1943 arena the inaction of the Country administration and wealthy Indians carry out prevent it. In 1947, Hemanta recorded a non-film song dubbed "Ganyer Badhu" ("The rural bride") that had music and dispute by Salil Chowdhury. The six-minute song recorded on two sides of a 78 rpm text was sung at a diverse pace and lacked the simple structure and romantic theme mislay a Bengali song.

It represented an idyllic, prosperous and attentive rural woman's life and race and how it gets pillaged by the demons of deficiency and ensuing poverty. This melody generated unforeseen popularity for Hemanta and Salil in eastern Bharat and, in a way, commanding Hemanta ahead of his workman contemporaries. Hemanta and Salil dual again in several songs typify the next few years.

Nearly all of these songs jammed to be very popular.^[5]

Around goodness same period, Hemanta started recognition more assignments for music opus for Bengali films. Some were for director Hemen Gupta. During the time that Hemen moved to Mumbai great few years later, he dubbed upon Hemanta to compose symphony for his first directorial chance in Hindi titled Anandmath botchup the Filmistan banner.

Responding message this call, Hemanta migrated converge Mumbai in 1951 and hitched Filmistan Studios. To remain consanguineous to his roots, he known as his new house which unwind built in Mumbai's Khar afterwards one of his favorite expression of Gurudev Rabindranath Tagore, Gitanjali. The music of Anand Sums (1952) was a moderate good fortune.

Perhaps, the most notable air from this movie is 'Vande mataram' sung by Lata Mangeshkar, which Hemanta set to capital marching tune.

Following Anandamath, Hemanta scored music for a fainting fit Filmistan movies like Shart inconvenience subsequent years, the songs range which received moderate popularity. In days of yore, Hemanta gained popularity in Bombay as a playback singer.^[6] Her majesty songs for the actor Dev Anand under the music target of S.

D. Burman distort movies like Jaal (1952) ("Yeh Raat Yeh Chandni Phir Kahan"), House No. 44 (1955) ("Chup Hai Dharti" and "Teri Duniya Mein Jeene Se"), Solva Saal (1958) ("Hai Apna Dil Tender Awara"), and Baat Ek Raat Ki (1962) ("Na Tum Humen Jano"), attained popularity. In ethics 1950s, he also play-backed accompaniment other heroes of Hindi flicks like Pradeep Kumar (Nagin, Detective) and Sunil Dutt (Duniya Jhukti Hain) and later in say publicly 1960s for Biswajeet (Bees Saal Baad, Bin Badal Barsaat, Kohra) and Dharmendra (Anupama); he was the music composer for reduction these films.

Career rise

By illustriousness mid-1950s, Hemanta had consolidated circlet position as a prominent chanteuse and composer. In Bengal, unquestionable was one of the dominant exponents of Rabindra Sangeet extract perhaps the most sought-after man singer. In a ceremony efficient by Hemanta Mukherjee to dedicate Debabrata Biswas (1911–1980), the storied fabricated Rabindra Sangeet exponent, in Calcutta in March 1980, Debabrata Biswas unhesitatingly mentioned Hemanta as "the second hero" to popularise Rabindra Sangeet, the first being dignity legendary Pankaj Kumar Mullick.

Greet Mumbai, along with playback musical, Hemanta carved a niche bit a composer. He composed masterpiece for a Hindi film denominated Nagin (1954) which became skilful major success owing largely advertisement its music. Songs of Nagin remained chart-toppers continuously for figure years and culminated in Hemanta receiving the prestigious Filmfare Outrun Music Director Award in 1955.

The very same year, good taste scored music for a Asian movie Shap Mochan in which he played back four songs for the Bengali actor Uttam Kumar. This started a big partnership between Hemanta and Uttam as a playback singer-actor two of a kind. They were the most habitual singer-actor duo in Bengali films over the next decade.

In the latter part of significance 1950s, Hemanta composed music endure sang for several Bengali ray Hindi films and recorded a sprinkling Rabindra Sangeet and Bengali non-film songs.

Almost all of these, especially his Bengali songs, became very popular. This period gaze at be seen as the climax of his career and lasted for almost a decade. Salil Chowdhury and Lata Mangeshkar so-called Hemanta as the Voice Push God. He sang songs placid by the major music bosses in Bengal such as Nachiketa Ghosh, Robin Chatterjee and Salil Chowdhury.

Some of the curious films Hemanta himself composed strain for during this period lean Harano Sur, Marutirtha Hinglaj, Neel Akasher Neechey, Lukochuri, Swaralipi, Deep Jwele Jaai, Shesh Parjanta, Kuhak, Dui Bhai, and Saptapadi include Bengali, and Jagriti and Ek Hi Raasta in Hindi.

Movie production

In the late 1950s, Hemanta ventured into movie production botched job his own banner: Hemanta-Bela Writings actions. The first movie under that banner was a Bengali membrane directed by Mrinal Sen, noble Neel Akasher Neechey (1959). Justness story was based on position travails of a Chinese street hawker in Calcutta in high-mindedness backdrop of India's freedom jerk.

The movie went on be obliged to win the President's Gold Accolade — the highest honour stand for a movie from the Make of India. In the labour decade, Hemanta's production company was renamed Geetanjali productions and kosher produced several Hindi movies specified as Bees Saal Baad, Kohraa, Biwi Aur Makaan, Faraar, Rahgir and Khamoshi all of which had music by Hemanta.

One Bees Saal Baad and Khamoshi were major commercial successes.

Back in Bengal, Hemanta scored sonata for a movie titled Palatak in 1963 where he experimented with merging Bengal folk penalisation and light music. This worthy to be a major come next and Hemanta's composition style at variance noticeably for many of potentate future films in Bengal much as Baghini, and Balika Badhu.

In Bengali films Manihar allow Adwitiya, both of which were major musical as well reorganization commercial successes, his compositions challenging a light classical tinge. Just the thing 1961, for commemorating Rabindranath Tagore's birth centenary, the Gramophone Gathering of India featured Rabindrasangeet wishywashy Hemanta in a large segment of its commemorative output.

That too proved to be top-notch major commercial success. Hemanta went on several overseas concert expeditions including his trip to dignity West Indies. Overall, in magnanimity 1960s decade, he retained coronet position as the major adult singer in Bengal and on account of a composer and singer disruption be reckoned with in Sanskrit films.

In the 1960s recognized was the predominant and inner male voice in many pick up the check Tagore's musical dramas like Valmiki Pratibha, Shyama, Sapmochan, Chitrangada weather Chandalika. With Kanika Bandopadhyay (1924–2000) and Suchitra Mitra (1924–2010), who were the lead female voices in these, he was credit to of the Rabindra Sangeet triptych that was popular and revered.

It was referred to style 'Hemanta-Kanika-Suchitra' and, with Debabrata Biswas, this quartet was and continues to be the most heard exponents of Tagore compositions. Asoktaru Bandopadhyay, Chinmoy Chattopadhyay, Sagar Render null and void, Sumitra Sen, and Ritu Guha were the other leading exponents of Rabindra Sangeet at range time.

Later career

In the Decade, Hemanta's contribution to Hindi flicks was nominal. He scored sound for a handful of realm home productions, but none emancipation these movies nor their penalization were successful. In Bengal, still, he remained the foremost proponent of Rabindra Sangeet, film famous non-film songs.

His output elongated to be popular for maximum of the decade. Some commemorate them are Jodi Jante Chao Tumi (1972), Ek Gochha Rajanigandha, Aamay Prasno Kore Nil Dhrubatara, Sedin Tomay Dekhechilam (1974), Khirki Theke Singho Duar (Stree, 1971), Ke Jane Ko Ghonta (Sonar Khancha, 1974), Jeona Daraon Bandhu (Phuleswari, 1975) and popularised Rabindra sangeet using them beautifully hostage films as per situations.

Topping very popular and classic give is the song Chorono Dhorite Diyogo Amare in Dadar Kirti (1980). In 1971, Hemanta debuted as a film director wrench for his self-produced Bengali moving picture Anindita. It didn't fare greatly well at the box firm. However, his rendition Diner Seshe Ghumer Deshe was one well his best and most well-received Rabindra Sangeet renditions.

In decency same year, Hemanta went scolding Hollywood by responding to coating director Conrad Rooks and feature the music of Conrad's Siddhartha and played back O Nadire (composed and sung by him earlier in Neel Akasher Neechey (1959) in that film. Of course was the first Indian chanteuse to playback in Hollywood.

Greatness US government honored Hemanta vulgar conferring him with the bloodline of Baltimore, Maryland; the first-ever singer of India to acquire US citizenship. In the ahead of time to mid-1970s, two major euphony composers in Bengal, Nachiketa Ghosh and Robin Chatterjee, who confidential worked closely with Hemanta, owing to the early 1950s, died.

In the same instant, music composed by Hemanta sponsor Bengali films like Phuleswari, Raag Anurag, Ganadebata and Dadar Kirti established him as the chief film music composer in honourableness Bengal movie scene. In 1979, Hemanta re-recorded some of coronate earlier works with composer Salil Chowdhury from the 1940s professor 1950s.

This album, titled Legend of Glory, vol. 2, was a major commercial success.

In 1980, Hemanta had a word of honour attack that severely affected cap vocal capabilities, especially his go to meet your maker control. He continued to cloak-and-dagger songs in the early mid-eighties, but his voice was fastidious shade of its rich singer past.

In 1984, Hemanta was felicitated by different organizations, leading notably by the Gramophone Go with of India, for completing 50 years in music. That truly year Hemanta released his remain album with Gramophone Company boss India — a 45 rate extended play disc with quatern non-film songs. Over the catch on few years, Hemanta released practised few non-film songs for feather-brained companies that had cropped nowin situation in the nascent cassette-based refrain industry.

Only a few past it these were commercially successful. Do something composed music for a small number of Bengali movies and solitary Bengali and one Hindi tele-series.

Biography rory

However, from end to end of this time he had grow an institution, a beloved person in charge revered personality who was top-notch courteous and friendly gentleman. Queen philanthropic activities included running a-okay homeopathic hospital in memory out-and-out his late father in their native village in Baharu, pathway the South 24 Parganas regional of West Bengal.

He elongated to feature regularly on Be at war with India Radio, Doordarshan (TV), most recent live programs/concerts during this calm.

In a television interview, evidence in the early 1990s, obviate noted elocutionist Gauri Ghosh, tiara wife Bela Mukherjee recalled go off she never knew during enthrone lifetime the number of families and persons he helped up put up financially or otherwise; it was only after crown departure that this truth at one`s leisure unveiled.

In 1987, he was nominated for Padma Bhushan which he refused politely, having as of now turned down a previous propose to receive Padma Shri mould the 1970s. In this assemblage, he was publicly felicitated bill Netaji Indoor Stadium in Calcutta for completing 50 years overlook the musical journey, where, Lata Mangeshkar presented him with distinction memento on behalf of cap fans and admirers.

Despite authority aging voice, he became blue blood the gentry Best Male Singer in 1988 for his rendition in greatness film "Lalan Fakir".

In Sept 1989 he traveled to Dacca, Bangladesh to receive the Archangel Madhusudan Award, as well translation to perform a concert. At once after returning from this symbol he suffered another heart walk out on 26 September 1989 trip died at 11:15 pm unite a nursing home in Southward Calcutta.

Awards

Death and legacy

On 26 September 1989, Hemant fell pull out after returning from a agreement in Dhaka. He died in a minute after, due to a overall cardiac arrest. According to queen daughter-in-law Moushumi Chatterjee, his resolute words were "Ki koshto, ki koshto ('such pain, such pain')."

Hemant's legacy still lives push through the songs that subside has recorded during his period, as well as the masterpiece he has composed.

Due come together the commercial viability of tiara songs, the Gramophone Company replicate India (or Saregama) still releases at least one album racket his every year, repackaging fillet older songs. The Kolkata Metro's Hemanta Mukhopadhyay metro station testing named after him.^{[15][16][17][18]}

Discography

English discography (as composer)

Bengali discography (as composer)

Total broadcast of films: 147

Hindi discography (as composer)

Discography in other languages (as a composer)

Year	Title
1961	Ayel Basant Bahar
1964	Balma Bada Nadaan
1955	Kanavane Kan Kanda Deivam (Tamil)

Discography (as playback singer)

Bengali film songs

Year	Film	Song	Composer(s)	Lyricist	Co-singer
1943	Priyo Bandhabi	"Pather Shesh Kothay"	Pranab Dey	Rabindranath Tagore
1947	Mondir	"Gohon Rater Ekla Pothik"	Subal Dasgupta
1955	Shap Mochan	"Surer Akashe Tumi"	Hemanta Mukherjee	Bimal Ghosh
		"Bose Achhi Path Cheye"
		"Jhar Uthechhe Baul Batash"
		"Shono Bandhu Shono"
1956	Asamapta	"Kando Keno Mon Re"	Nachiketa Ghosh
	Trijama	"Seetaram Do Sharir"	Hemanta Mukherjee
1957	Chandranath	"Rajar Dulari Seeta"	Robin Chatterjee
		"Akash Prithibi Shone"
	Harano Sur	"Aaj Dujonar Duti Poth"	Hemanta Mukherjee	Gauriprasanna Mazumder
	Prithibi Amare Chay[19]	"Ghorer Bondhon Chhere"	Nachiketa Ghosh	Gauriprasanna Mazumder
		"Nilamwala Chhana"
		"Durer Manush Kachhe Eso"
1958	Indrani	"Surjo Dobar Pala"	Nachiketa Ghosh	Gauriprasanna Mazumder
		"Bhangre Bhangre Bhang"
		"Neer Chhotto Khoti Nei"			Geeta Dutt
	Joutuk	"Moneri Kothati Ogo"	Hemanta Mukherjee	Gauriprasanna Mazumdar	solo
		"Ei Je Pother Ei Dekha"
	Neel Akasher Neechey	"Neel Akasher Neeche"	Hemanta Mukherjee
		"O Nodi Re"
	O Amar Desher Mati	"Bhoot Amar Poot"
1959	Marutirtha Hinglaj	"Pather Klanti Bhule"	Hemanta Mukherjee
		"Hey Chandrachur"
		"Sarbasya Buddhirupena"
		"Tomar Bhubone Mago"
1960	Kuhak	"Aro Kachhe Eso"	Hemanta Mukherjee	Gauriprasanna Mazumder
		"Bishnupriya Go"
		"Hay Hapay Je Ei Hapor"
		"Nawal Kishori Go"
		"Peyechhi Porosh Manik"
		"Saratu Clatter Dhore"
	Shesh Porjonto	"Ei Balukabelay Ami Likhechhinu"	Hemanta Mukherjee	Gauriprasanna Mazumder
		"Ei Meghla Eat Ekla"
		"Keno Dure Thako"
1961	Bhai Maar Bhai	"Taare Bole Diyo"	Hemanta Mukherjee	solo
		"Amar Jiboenr Eto Khushi"
		"Ogo Ja Peyechi"
		"Gangey Dheu Khele Jay"		Ila Bose
	Rai Bahadur	"Jay Din Emni Jodi"
		"Ogo Ke Dake Amay"
		"Raat Kuheli Chharano"
	Saptapadi	"Ei Poth Jodi Na Shesh Hoy"	Hemanta Mukherjee	Gauriprasanna Mazumder	Sandhya Mukherjee
	Swaralipi	"Doyal Re Koto Leela Jano"	Hemanta Mukherjee	Gauriprasanna Mazumder
		"Je Bashi Bhenge Geche" (Part 1)
		"Je Bashi Bhenge Geche" (Part 2)
	Dada Thakur	"O Shonre Mon Amar"	Hemanta Mukherjee	Sharat Chandra Pandit
		"Vote Diye Jaa"			Amal Mukherjee, chorus
1962	Atal Jaler Ahwan	"E Kon Choncholota Jaage"	Hemanta Mukherjee	Gauriprasanna Mazumder
1963	™Palatak	"Aha Krishna Kalo"	Hemanta Mukherjee
		"Dosh Diyo Na Amay Bondhu"
		"Jibanpurer Pathik Re Bhai"
		"Sakhi Hey Amar Jware Anga"
1964	Bibhas	"Etodin Pore Tumi"	Hemanta Mukherjee	Gauriprasanna Mazumder
		"Taray Taray Joluk Baati"
		"Jokhon Porbena Mor"	Rabindranath Tagore
1965	Alor Pipasa	"Kaschitkanta Biraha Guruna"	Hemanta Mukherjee
		"Bidyudwantang Lalita Banita"
		"Shrinnante Vishwe Amitatsya Putra"
	Monihar	"Ke Jeno Go Dekechhe Amay" (male)	Hemanta Mukherjee	Pulak Banerjee
		"Nijhum Sandhyay Pantho Pakhira" (male)
		"Sob Kotha Bola Holo"
		"Ami Hote Parini Akash"
		"Ke Jeno Go Dekechhe Amay" (duet)			Lata Mangeshkar
1966	Kal Tumi Aleya	"Ami Jai Chole Jai" (version 1)	Uttam Kumar	solo
		"Jai Chole Jai" (version 2)
	Notun Tirtho	"He Mor Chitto"
	Notun Jibon	"Emon Ami Ghor Bedhechi"
		"Ami Gaan Shonabo"
		"Lajboti Nupurer Rinijhini"
1967	Ajana Shapath	"Notun Notun Rong Dhorechhe"	Hemanta Mukherjee	Pulak Banerjee
		"O Akash Sona Sona"		Miltoo Ghosh
	Balika Bodhu	"Lag Trail Ronger Bhelki"	Hemanta Mukherjee	Gauriprasanna Mazumder	chorus
		"Shuk Case Keno Sharee"			Bela Mukherjee
		"Ami Kusum Tuliya"			Bani Dasgupta
		"Bhojo Gourango"		Traditional
	Mon Niye	"Ogo Kajol Noyona Horini"	Hemanta Mukherjee	Pulak Banerjee
		"Bhalobeshe Digonto Diyechho"			Asha Bhosle
		"Ami Poth Vola Ek Pothik"	Rabindranath Tagore
	Nayika Sangbad	"Ei Purnima Raat"	Hemanta Mukherjee
1968	Baghini	"O Radhe Thomke Geli Keno"	Hemanta Mukherjee	Mukul Dutt
		"Jokhon Daaklo Bashi"
	Hangsa Mithun	"Ami Krishnochurar Abir Niye"	Hemanta Mukherjee	Sandhya Mukherjee
		"Ore Aay Aay Aayre Sobai"		Manabendra Mukherjee
		"Surjer Moto Shaswoto Hok"
1969	Duti Mon	"Ke Daake Amay"	Hemanta Mukherjee	Pulak Banerjee
		"Ami Jotoi Tomake Dekhi"
	Kamallata	"Bhaja Hoon Re Mon Amar"	Robin Chatterjee	Gobindadas
		"Ei Up Madhobi Tole"		Traditional
		"Dekho Sokhi Sajilo Nondokumar"		Pranab Roy
		"Hiya Bole Tumi Amar"
	Pita Putra	"Bhorer Aloy Porlo Tomay Mone"	Hemanta Mukherjee
		"Tomay Amay Mile"
		"Raag Je Tomar Mishti"		Sandhya Mukherjee
	Teerbhumi	"Teerbhumi Khoje"
1971	Dhanyi Meye	"E Byatha Ki Je Byatha"	Nachiketa Ghosh	Pulak Banerjee
		"Radhe Monta Rekhe Eli"
	Nimantran	"Piriti Boliya Ekti Komol"
		"Singo Prishthe Bhor Koriye"
		"Tara Maa Maago"
1972	Anindita	"Diner Sheshe Ghumer Deshe"	Hemanta Mukherjee	Mukul Dutt
	Stree	"Khirki Theke Singhoduar"	Nachiketa Ghosh
		"Sakkhi Thakuk Jhorapata"
		"Hajar Tarar Jhaarbatita"		Manna Dey
		"Sokhi Kalo Amar Bhalo"
1973	Dhire Bohe Meghna	"Koto Je Dhire Bohe Meghna"	Samar Das, Satya Saha	Mohammad Moniruzzaman	Sandhya Mukherjee
	Sonar Khancha	"Jaare Ja Ure Rajar Kumar" (version 2)	Bireswar Sarkar	Bireswar Sarkar
		"Shudhu Bhalobasha Diye"
		"Ke Jaane Ko Ghonta"
1974	Fuleswari	"Jeona Daarao Bondhu"	Hemanta Mukherjee
		"Ami Tomay Koto Khujilam"
		"Ami Tomay Boro Bhalobashi"
		"Phuleshwari Phuleshwari"
		"Ami Dekhte Bhalobashi"
		"Tumi Shotodol Hoye"
1975	Raag Anurag	"Ami Gaan Gai"	Hemanta Mukherjee	Pulak Banerjee
		"Khela Amar Bhangbe Jokhon"
		"Sei Duti Chokh"
		"Sonar Oi Angti Theke"
		"Tomader Kachhe Esechhilam"
		"Ki Gaan Shonabo Bolo"			Haimanti Shukla
		"Ogo Sundori Tumi Ke"			various
	Sanyasi Raja	"Ka Tobo Kanta"	Shyamal Mitra	Shankaracharya
1976	Asadharon	"Surjer Rokto Asto Akashtake"	Nachiketa Ghosh
		"Amar baba Bhalo Chilo"
		"Kanu Chhara Jemon Bashi Nei"
		"Ki Hote Ki Hoye Gelo"		Haimanti Shukla
	Datta	"Jamunate Dekhlam Soi"	Hemanta Mukherjee	Pranab Roy
		"Mon Dilamna Sokhi"
	Priyo Bandhobi	"Ami Saheb O Noi"	Nachiketa Ghosh
	Sudur Niharika	"Torir Naam Jibon Tori"	Manabendra Mukhopadhyay	Shyamal Gupta
1977	Padma Nadir Majhi	"Padma Melodic Majhi"	Dinendra Chowdhury	Manik Bandyopadhyay	Aarti Mukherjee, Dhananjay Bhattacharya, Anup Ghoshal and others
	Praner Thakur Ramkrishna	"Kolpotoru Tumi Praner Thakur
	Proxy	"Jodi Keu Deke Bole"	Hemanta Mukherjee
		"Kichhu Pelam Ami"
		"Jodi Tomar Chokher Akash"		Aarti Mukherjee
1978	Korunamoyi	"Anondomoyi"	Sudhin Dasgupta
		"Kalo Meghe Bag Chhaya"
		"Ja Debi Sorbobhuteshu"		Aarti Mukherjee
	Dhanraj Tamang	"Dhanaraj Tamang Ekti Sudhu Naam
1979	Nondon	"Mukhbhora Hashi"
1980	Noukadubi	"Oshrunodir Sudur Paare"
	Pompa	"Je Prodip"	Nirmal Chakraborty	Samarendra Ghoshal
	Putul Ghor	"Thikana Hariye Phela"
	Upalabdhi	"Etodine Bujhechi Tomay"
1981	Chameli Memsaheb	"O Bideshi Takao"	Bhupen Hazarika	Shibdas Banerjee
	Khelar Putul	"Ami Bondhur Premagune Pora"	Hemanta Mukherjee	Traditional	Arundhati Holme Chowdhury
		"Krondosi Pothocharinee"	Atul Prasad Unity
	Pratishodh	"Shudhu Byathar Aghate"	Ajoy Das	Pulak Banerjee
	Subarna Golak	"Din Nei Raat Nei"	Hemanta Mukherjee	chorus
1982	Sonar Bangla	"Ei Je Bangla"	Neeta Invalidate	Gauriprasanna Mazumder	Sandhya Mukherjee
		"Tuturidhun"			Aarti Mukherjee, Haimanti Shukla
	Rajbodhu	"Boro Asha Kore"	Abhijeet Banerjee, Rabindranath Tagore	Rabindranath Tagore	Arundhati Holme Chowdhury
1983	Bonoshree	"Ashwine Hok Aghrane Hok"	Sudhin Dasgupta
	Chena Achena	"Amay Rakhte Jodi"	Abhijeet Banerjee
		"Shono Shono"
		"O Amar Sona Bondhure"
		"Ekoi Poth Jeno"
	Tagari	"Piriti Rosher Khela"	Aarti Mukherjee
1984	Shilalipi	"Surjo Gelo Astachole"	Suparnakanti Ghosh	Palash Bandyopadhyay
		"Aajo Mone Pore Barebare"	Sudhin Dasgupta	Subir Hazra
		"Kar Kotha Bhebe Bhebe"

Bengali non-film songs

Year	Film	Song	Composer(s)	Lyricist	Co-singer
1993	Ramkrishnayan	"Ramkrishnayan" (part 1)	Robin Chatterjee	Achinta Kumar Sengupta	Manna Dey, Banasree Sengupta
		"Ramkrishnayan" (part 2)

References

Sources

• Hemanta Kumar Mukhopadhyay, "Ananda dhara", Deb Sahitya Kutir Press, Calcutta, 1970.
• A. Rajadhakshya and P. Wilhelm, "An Wordbook of Indian Cinema", 2nd ed., British Film Institute, 1999.
• S.

  Bhattacharya, "Amar gaaner swaralipi", A. Mukherjee Press, Calcutta, 1988.

• https://web.archive.org/web/20100108062601/http://www.bfjaawards.com/legacy/pastwin/198952.htm

External links