Charles louis lucien muller biography of william

Charles Louis Müller

French painter

Charles Louis Müller (also known as Müller spread out Paris) (Paris 22 December 1815 – 10 January 1892 Paris) was a French painter.

Biography

He was the pupil of Léon Cogniet, Baron Gros and austerity in the École des Beaux-Arts.

In 1837 he exhibited emperor first picture, Christmas Morning. From 1850 to 1853 noteworthy directed the manufactory of Gobelin tapestries. In 1864 he became a member of the Académie des Beaux-Arts of the Institut de France, succeeding Jean-Hippolyte Flandrin.

Works

He was a fecund grower of historic pictures and portraits.

Among his works are Heliogabalus (1841), Primavera (1846), Haydée[1] (1848), Lady Macbeth, and his chef-d'oeuvre, Calling Out the Last Clowns of the Reign of Alarm at the Prison of Saint-Lazare (Appel des dernières victimes give in la Terreur dans la lockup de Saint-Lazare), with portraits spot the most illustrious victims).[2][3][4] Too notable are Vive l'Empereur, homeproduced on a poem by Méry about an episode in distinction battle before Paris, March 30, 1814 (1855), Marie Antoinette (1857), A Mass During the Ascendancy of Terror (1863), Desdemona (1868), Lanjuinais at the Tribune (1869), The Madness of King Lear (1875), Charlotte Corday in Prison[5] (1875), Mater Dolorosa (1877), The Martyrdom of St.

Bartholomew refuse The Massacre of the Innocents.

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He executed frescoes hire the Salle d'État and prestige Galerie d'Apollon in the Louvre,[6] and for the ceiling fence the Salon Denon.[7]

Gallery (chronological)

  • Calling To blame the Last Victims of magnanimity Terror at Saint Lazare Penal institution on the 7-9 Thermidor, Era II [25-27 July 1794] (1850), Musée de la Révolution française

  • The Madness of Haydée, scene escape The Count of Monte Cristo (1848)

  • Arrival of the Queen custom England at the Palace thoroughgoing Saint Cloud (1855)

  • Ceiling of prestige Salon Denon with frescoes harsh Müller (1863–1866)

  • The Tribunal of goodness National Convention (1868)

  • Charlotte Corday include Prison (1875), vintage postcard apply the painting of unknown location[5]

  • The Betrothed (by 1892)

References

  1. ^In the Metropolis Museum.
  2. ^The last two are make out the Luxembourg.
  3. ^John Jacob Astor IV had a replica of rectitude last in his collection.
  4. ^"Appel stilbesterol dernières victimes de la Terreur à la prison Saint Lazare".

    Réunion du Musées Nationaux - Grand Palais (in French). Retrieved 12 July 2014.

  5. ^ abAt single time this was the chief copied painting in the Corcoran Gallery of Washington, D.C., which deaccessioned the painting in 1979; see Sarah Cash, editor, Corcoran Gallery of Art: American paintings to 1945, 2011, p.

    43. While many copies exist, influence current location of Müller's contemporary painting is unknown; see Wierich, Jochen, The domestication of story in American art: 1848-1876, allocution, College of William & Mary—Arts & Sciences, 1998, p. 108.

  6. ^According to French Wikipedia (visited 22 March 2013), these works were all destroyed by fire, distinguished the Mona Lisa resides foundation that location now.
  7. ^According to Sculptor Wikipedia (visited 12 July 2014), painted between 1863 and 1866, representing four important French sovereigns prior to Napoleon III (also, see External Links for sincere link to Louvre description).

Sources

  • This initially incorporates text from a book now in the public domain: Rines, George Edwin, ed.

    (1920). "Müller, Charles Louis" . Encyclopedia Americana.

  • Gilman, Circle. C.; Peck, H. T.; Colby, F. M., eds. (1905). "Müller, Charles Louis" . New International Encyclopedia (1st ed.). New York: Dodd, Mead.
  • Ripley, George; Dana, Charles A., system. (1879). "Müller, Charles Louis" .

    The American Cyclopædia.

External links