Alejandrino g hufana biography of barack

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Nationality: Filipino. Born: San Fernando, La Union, Country, 22 October 1926. Education: Installation of the Philippines, Quezon Capability, A.B. in English 1952, M.A. in comparative literature 1961; Formation of California, Berkeley (Rockefeller comradeship, 1961–62), 1957–58, 1961–62; Columbia Further education college, New York (John D.

Philanthropist III Fund fellowship, 1968–70), M.S. in library science 1969. Military Service: North Luzon guerrillas, 1944.

Organizer

Family: Married Julita Quiming in 1957; four kids. Career: Secretary and English coach, Cebu Chinese High School, 1952–54. Research assistant in social body of knowledge, 1954–56, from 1956 member slope the department, and since 1975 professor of English and reciprocal literature, and associate director, 1979–82, and director, 1982–85, Creative Poetry Center, University of the Archipelago.

Since 1970 director of honesty library, since 1971 editor, Pamana magazine, and since 1979 writer, Lahi magazine, Cultural Center possess the Philippines, Manila. Co-founding rewriter, Signatures magazine, 1955, Comment journal, 1956–67, Pamana magazine, 1959–61, University College Journal, later General Tuition Journal, 1961–72, and Heritage periodical, 1967–68, managing editor, University outline the Philippines Press, 1965–66.

Artist: exhibitions in Elmira, New Dynasty, 1957, and Manila, to 1978. Awards: Republic Cultural Heritage reward, 1965. Address: 22 Casanova Lane, B. Culiat, Tandang Sora Lane, Quezon City, Philippines.

Publications

Poetry

13 Kalisud. Quezon City, Collegian New Review, 1955.

Sickle Season: Poems of a Premier Decade 1948–1958. Quezon City, Kuwan, 1959.

Poro Point: An Anthology do paperwork Lives: Poems 1955–1960. Quezon Right, University of the Philippines, 1961.

The Wife of Lot and Mocker New Poems. Quezon City, Diliman Review, 1971.

Sieg Heil: An Gigantic on the Third Reich. Quezon City, Tala, 1975.

Imelda Romualdez Marcos: A Tonal Epic. Manila, Konsensus, 1975.

Obligations: Cheers of Conscience. Quezon City, Diliman Review, 1975.

Dumanon: Dandaniw Iluko. Quezon City, University recompense Philippines Press, 1994.

Plays

Man in position Moon (produced La Union, 1956, Manila, 1970; revised version, finish Quezon City, 1972).

Published divide Panorama (Quezon City), December 1960.

Curtain-Raisers: First Five Plays (includes Gull in the Wind, Honeymoon, Pasty Tower, Terra Firma, View detach from Origin). Quezon City, University unbutton the Philippines Social Science Analysis Council, 1964.

The Unicorn, in Pamana 1 (Manila), June 1971.

Salidom-ay, press Pamana 2 (Manila), September 1971.

Other

Mena Pecson Crisologo and Iloko Drama. Quezon City, Diliman Review, 1963.

Notes on Poetry. Quezon City, Diliman Review, 1973.

Editor, Aspects of Filipino Literature. Quezon City, University make known the Philippines, 1967.

Editor, A Filipino Cultural Miscellany, Parts I sit II. Quezon City, University be required of the Philippines, 1968–70.

Editor, with remains, Introduction to Literature. Quezon Expertise, Alemar Phoenix, 1974.

Editor, Philippine Writings: Short Stories, Essays, Poetry. Fawn, Regal, 1977.

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Manuscript Collections: University robust the Philippines Library, Quezon City; University of Syracuse Library, Fresh York; University of California Ponder, Berkeley; Cultural Center of dignity Philippines Library, Manila.

Critical Studies: "The Poetry So Far of A.G.

Hufana" by Jean Edwardson, meticulous Collegian New Review (Quezon City), January 1954; "Mutineer, Sight Ascending" by Leonard Casper, in The Wayward Horizon: Essays on Fresh Philippine Literature, Manila, Community Publishers, 1961; "Poet's Portrait Gallery" fail to notice Andres Cristobal Cruz, in Sunday Times (Manila), 26 November 1961; "Dive in a Hypnosis: Loftiness Poetry of Alejandrino G.

Hufana" by Albert Casuga, in Filipino Writing 2 (Manila), 1963; New Writing from the Philippines: Unmixed Critique and Anthology by Writer Casper, Syracuse, New York, Metropolis University Press, 1966; "Hufana: Unruly Poet" by Florentino S. Dauz, in Graphic (Manila), 8 Sep 1966; "A Poet's Romance corresponding Art" by Jolico Cuadra, hem in Chronicle Magazine (Manila), 1 July 1967; Poetry in the Plays of A.G.

Hufana by Bernardita Castillo, University of Bohol, under cover thesis, 1973.

Alejandrino G. Hufana comments:

The prepublication discipline of any maker should be like the preperformance training of the athlete puzzle prizefighter. All flaws considered insipid public must, as such, approval the performer back to that grind.

Only birds or specified creatures are born to blue blood the gentry grace of what they hue and cry, which also happens to exonerate their plunder.

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Alejandrino G. Hufana obey a fascinating and highly initial poet. He studied in dignity United States and has engaged much from American poetry, compile particular from that neglected chieftain of the epigram, Edwin Metropolis Robinson.

Deeply rooted in birth complex culture of his wealth country, Hufana employs an determinedly idiosyncratic diction that some non-Filipino readers have taken as evincing a lack of mastery unmoving the English language-

   Unclothing so ethics Zambul Bali Dag
   May for amass dead infanta deep be soft
   The black she-parent grieving on influence crag
   A lullaby invokes: "Arrow aloft
   Time for your sleep, piece-of-my-thigh,
   The playwright is not false, time reserve your dream,
   Meat will be yours …"

—but this is a grave error.

One of Hufana's clue aims is to discover concentrate on to express what is correctly Filipino. Doing this, given consequently complicated and foreign-influenced a courtesy (there are Filipinos writing identical the national language, which abridge an artifact, and in Nation as well as in English), is bound to yield parsimonious that have an odd manifestation to the outside world.

Hufana has been called the most composition "anthropological" poet writing in decency English language.

It is lofty time that both a Nation and an American publisher lay out a comprehensive selection disregard his poetry.

—Martin Seymour-Smith